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mauricedelafalaise: HAPPY 70th BIRTHDAY RAFFAELLA CARRÁ (June 18th, 2013)
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homotography: E. Tautz Spring/Summer 2014
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OOOOOOOMMMMMMMGGGGGGGG!!! Look who it is!!! Only Miss Grace Jones!!!!!!! She’s recording new material with the fabulous Ivor Guest again!!! I’m soooooooooooooo uncontrollably over-excited!!!!!!! Yay!!!!!!!!!! W x
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black-wihte: <3
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Money itself is not evil, in fact it can actually be very effective for good if it’s used properly. You have to be objective about money to use it fairly. It doesn’t make you any better or more useful than any other person. Even if you use your money to help people… that doesn’t make you better than somebody who has no money but is sympathetic and genuinely loving to fellow humans.

— Keith Haring (via doneste)
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halloween-in-january: Michael Clark dancers photographed by Willy Vanderperre. I discovered Michael Clark in i-D magazine when I was 17 or 18, probably because of his links to Mark E. Smith’s band the Fall. For years I only knew Michael’s work from images; eventually I started to look at films of it on the Internet, but I never saw it live. I was never really into dance, but I knew a lot about Michael—in particular, his links to Bodymap and Leigh Bowery and his obsession with David Bowie. Bowie and his work with Brian Eno in Berlin in the 1970s is very important to me. Last summer I was curating an event for Mercedes in Berlin and realized that I would love for Michael to do something for it. I expected him to say no. But I called him, and it was a fantastic call; we shared so many interests. Eventually he said, “Okay, I’ll do it as a tribute to David Bowie.” It brought the whole thing together for me. I didn’t go to the rehearsal. I wanted to wait for the performance, and when I saw it, I found it mind-blowing. So punk. So anarchic. So sculptural. And I was very, very impressed ­technically: The projections were amazing, and Stevie Stewart’s costumes were beautiful. My friends were so moved that some of them were crying. Me too! I cried three times. I thought, I could see it all again right now, in an hour, next week. It’s the sort of stuff you want to see all the time. – Raf Simons.
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